Next up are the Damping controls, providing basic high shelving from 100Hz to 20kHz, and Bass Multiplier, which multiplies the Decay time of signals below your chosen cutoff point (100Hz-10kHz) by anywhere between 0.25 and 4, giving independent control over the tail length for the low and mid/high elements of the signal. The big Decay dial sets the reverb time, ranging from a short(ish) 0.2 seconds to a staggering 70 seconds. 'When you need a potentially enormous reverb tail, it's just the ticket'
Simple spacesĪlthough it doesn't offer the same level of control as its older brother, ValhallaRoom, the Lexicon-style parameters that VintageVerb does give access to are straightforward and to the point without being overbearing. This simple decision to have the Color as a separate option, rather than building it into the reverb algorithms themselves, results in an impressive level of sonic flexibility without sacrificing simplicity and ease of use. These use modulation shaping and internal downsampling to replicate three different 'eras': 1970s gives a grungy, lo-fi texture, 1980s steps the quality up somewhat but still sounds pretty gritty, and Now gives you today's squeaky clean sound - see Vintage king for more. Where VintageVerb really departs from ValhallaDSP's flagship ValhallaRoom reverb is in its three Color modes. 'Color modes use modulation shaping and internal downsampling to replicate three different 'eras''
